{"id":1878,"date":"2017-02-17T11:58:36","date_gmt":"2017-02-17T11:58:36","guid":{"rendered":"https:\/\/www.dosde.com\/blog\/?p=205\/"},"modified":"2026-08-11T08:07:12","modified_gmt":"2026-08-11T08:07:12","slug":"casa-batllo","status":"publish","type":"post","link":"https:\/\/pre.dosde.com\/en\/casa-batllo\/","title":{"rendered":"Casa Batll\u00f3"},"content":{"rendered":"

A building transformed into a work of art<\/strong><\/h2>\n

Located on Passeig de Gr\u00e0cia, the most important boulevard in Barcelona, Casa Batll\u00f3<\/strong> is considered as one of the most original works of architect Antoni Gaud\u00ed<\/strong>, a major reference of Catalan Modernism (Modernisme).<\/p>\n

 <\/p>\n

The building was constructed between 1904 and 1906, coinciding with Gaud\u00ed’s mature architecture period<\/strong>, and owes its name to the developer of the work, textile entrepreneur Josep Batll\u00f3. Since 2005, Casa Batll\u00f3 of Gaud\u00ed has a formed part of Unesco’s World Heritage Site list.<\/p>\n

 <\/p>\n

The history of Casa Batll\u00f3<\/h2>\n

\"Hall<\/a><\/p>\n

 <\/p>\n

By the start of the twentieth century, Passeig de Gr\u00e0cia<\/strong>, designed by town planner Ildefons Cerd\u00e0 as one of the main axes of Barcelona, had become the favourite street of the bourgeoisie<\/strong>. Well-to-do businessmen were eager to show off their status by commissioning fashionable architects of Catalan Modernism<\/a> with the construction of large houses on the emblematic boulevard.<\/p>\n

 <\/p>\n

In 1903, one of these industrialists, Josep Batll\u00f3, acquired a property built in 1877 by Emili Salas Cort\u00e8s, who happened to be one of Antoni Gaud\u00ed\u2019s former teachers. The dullness of the work, however, contrasted greatly with the spectacular nature of its neighbouring Casa Amatller, designed by Puig i Cadafalch, and, in 1904, Batll\u00f3 decided to call on the services of Gaud\u00ed, who at the age of 52 was at his most popular<\/strong>.<\/p>\n

 <\/p>\n

At first, Batll\u00f3 suggested demolishing the former building and constructing one of new ground plan, but the architect convinced him to maintain its structure and carry out a total refurbishment instead<\/strong>, adding two more levels (one storey more and an attic) and to completely redo the fa\u00e7ade, the central patio well, the ground floor and main floor, where the Batll\u00f3 family\u2019s apartment would be. These were the origins of Casa Batll\u00f3, today an icon of Modernisme in Barcelona.<\/p>\n

 <\/p>\n

The fa\u00e7ade of Casa Batll\u00f3<\/h2>\n

\"Fa\u00e7ade<\/a><\/p>\n

 <\/p>\n

Antoni Gaud\u00ed employed all his creative and technical genius when renovating Casa Batll\u00f3, but especially on the main fa\u00e7ade as he wanted to hold on to the original structure while at the same time concoct something totally unique. He therefore created plaster models which he himself sculpted until achieving the desired effect<\/strong> and then personally oversaw the putting into place of the ceramic plaques and trencad\u00eds work on Passeig de Gr\u00e0cia.<\/p>\n

 <\/p>\n

The result is an architectural style that cleverly combines surprising shapes and intense colours that exude a pleasant sensation of movement<\/strong> throughout the Casa Batll\u00f3 building. As Gaud\u00ed was such a keen observer of nature, he combined materials such as stone, glass, ceramic work and iron, in such a way that when the sun struck the fa\u00e7ade, a poetic and warm play of light and shadow would be evoked. As with other works by the architect, the fa\u00e7ade of Casa Batll\u00f3 has been interpreted in many different ways.<\/p>\n

 <\/p>\n

It has been likened to the Mediterranean Ocean or the Mountain of Montserrat. Others have gone so far as to say that it is a metaphor of carnival time. Then there are those who only refer to it as \u201cthe house of bones\u201d, for the bone-like hollows and columns on the rostrum. However, without a doubt, one of the closest interpretations is the one that compares the fa\u00e7ade with Claude Monet\u2019s water lily paintings.<\/p>\n

 <\/p>\n

\"\"<\/a><\/p>\n

The vestibule<\/h2>\n

Once inside the Casa Batll\u00f3, the general vestibule, of gentle shape and bluish tones, organises and directs the traffic flow up to the different residences<\/strong> in the building by means of different staircases, a private one for the owners and another for the tenants.<\/p>\n

 <\/p>\n

This cave-like space, with rectangular ground plan and curved ceilings includes the caretaker\u2019s lodge, a few storerooms and leads directly up to the private hall of the flat on the main floor. The neighbours\u2019 or community staircase was used by tenants and by the Batll\u00f3 family\u2019s servants.<\/p>\n

 <\/p>\n

The central patio well of Casa Batll\u00f3<\/h2>\n

\"The<\/a><\/p>\n

 <\/p>\n

One of the most striking interventions carried out in the modernist refurbishment of Casa Batll\u00f3 was the increase in size of the central patio well<\/strong>, which with its new dimensions of thirteen metres long by four metres wide by twenty-six metres high turned it into the central point of communication between the different floors<\/strong> by means of the lift and the neighbours\u2019 or community staircase.<\/p>\n

 <\/p>\n

The enlargement designed by Gaud\u00ed also managed to substantially improve the ventilation and illumination of the interior rooms of the properties, an aspect commonly ignored in constructions of the time.\u00a0 For this purpose, the architect devised large-sized windows and vents for the walls and turned to a decoration using light tone tiles, whose gloss reflects the natural light<\/strong> proceeding from the large, rectangular skylight located on the attic floor.<\/p>\n

 <\/p>\n

Inside Casa Batll\u00f3<\/h2>\n

\"Dining<\/a><\/p>\n

 <\/p>\n

Guided by functional criterion, Gaud\u00ed structured the layout of the Batll\u00f3 family\u2019s property into three different parts, each one of them assigned for distinct uses. Overlooking Passeig de Gr\u00e0cia are the main rooms, which receive natural light thanks to their large windows in the rostrum<\/strong>; the dining room and the bedrooms are located on the rear fa\u00e7ade, connected with a terrace or patio that was for the Batll\u00f3 family\u2019s own exclusive use; and in the central space an area was fitted that was provided with amenities such as the kitchen and the bathroom,\u00a0 as well as the different entranceways to the rest of the floors in the building.<\/p>\n

 <\/p>\n

The attic<\/h2>\n

\"The<\/a><\/p>\n

 <\/p>\n

Antoni Gaud\u00ed tackles the last floor of Casa Batll\u00f3, the attic, as the building\u2019s crowning piece, in the expressive<\/strong>, artistic sense as well as the functional sense, in such a way that this floor is endowed with its own architectonic system and original forms, on the interior as well as the exterior.<\/p>\n

 <\/p>\n

It is an independent construction in respect to the lower floors; the structure of the apartments is totally different to that of the attic and this is due overall to the fact that they are spaces that are devised for completely different uses. From the functional point of view, Gaud\u00ed plans the attic as a protection chamber for the building and it is also used as service quarters<\/strong>. He constructs it by using a series of catenary arches, solely built with brickwork, which are plastered over and support the ceiling vaults, which the roof terrace rests on.<\/p>\n

 <\/p>\n

This simple but rather ingenious structural device<\/strong>, which the architect applied in various projects such as the Teresian College and later on in La Pedrera, generates a flowing, spacious, continuous area with great, thought-provoking power that seems to take its inspiration from the rib cage of an animal<\/strong>, which has also given rise to an interpretation that likens the attic to the inside of a dragon, whose scales are recreated on the Gaud\u00edan Casa Batll\u00f3\u2019s rooftop.<\/p>\n

 <\/p>\n

The roof terrace<\/h2>\n

[metaslider id=1285]<\/p>\n

On Casa Batll\u00f3\u2019s roof terrace,\u00a0 Gaud\u00ed gives free rein to his imagination<\/strong> and uses all his creativity to transform this space, which at the start of the twentieth century was hardly taken into account when planning a building, into a universe of forms, silhouettes and original textures, which transcend architecture<\/strong> to become sculptural pieces of great artistic merit.<\/p>\n

 <\/p>\n

Apart from the poetic value of the terrace, the architect defines the functional aspect of this area of the house by organising the floor and its elements in a logical way, and offering rational solutions for the different requirements of the space. Thus, Gaud\u00ed puts two stairwells, four groups of chimneys and ventilation shafts and a small attic below the terrace, all of the latter are covered in delicately coloured trencad\u00eds work<\/strong>.<\/p>\n

 <\/p>\n

With total aesthetic freedom, these sculptural works are given curved, ductile and organic forms, inspired by the laws of nature, which the attractive and surprising universe of Antoni Gaud\u00ed revolves around.<\/p>\n

 <\/p>\n

A book to enjoy Casa Batll\u00f3 as you have never seen in before<\/h2>\n

The originality of Casa Batll\u00f3 never fails to surprise despite the fact that\u00a0110 years have now passed since its creation. Located in the city of Barcelona,\u00a0it is one of Antoni Gaud\u00ed’s most recognized and admired works\u00a0and is a clear example of its creator’s unlimited imagination.<\/p>\n

 <\/p>\n

The book\u00a0“Casa Batllo Deluxe<\/a>“, a book in a deluxe edition,\u00a0unveils this truly remarkable building. The incredible photographs, illustrations and\u00a03D infographics<\/strong> created exclusively for this book\u00a0will captivate you.<\/p>\n

 <\/p>\n

Published by Dosde<\/a> this book shows every corner of the building and explains the structural innovations that Gaud\u00ed applied, fusing aesthetics with functionality.<\/p>\n

\"Casa<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"A building transformed into a work of art Located on Passeig de Gr\u00e0cia, the most important boulevard in Barcelona, Casa Batll\u00f3 is considered as one of the most original works of architect Antoni Gaud\u00ed, a major reference of Catalan Modernism (Modernisme).   The building was constructed between 1904 and 1906, coinciding with Gaud\u00ed’s mature architecture … Read more<\/a>","protected":false},"author":1,"featured_media":706,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[52],"tags":[],"class_list":["post-1878","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-barcelona"],"acf":[],"yoast_head":"\nCasa Batll\u00f3 - Dosde<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Casa Batll\u00f3 - Dosde\" \/>\n<meta property=\"og:description\" content=\"A building transformed into a work of art Located on Passeig de Gr\u00e0cia, the most important boulevard in Barcelona, Casa Batll\u00f3 is considered as one of the most original works of architect Antoni Gaud\u00ed, a major reference of Catalan Modernism (Modernisme).   The building was constructed between 1904 and 1906, coinciding with Gaud\u00ed’s mature architecture ... 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